Mafalda was one of my heros when I was growing up. Yes, it's true that I was born in an entire different context (Chile, early '90s, both of my parents worked and we lived in a house, as opposed to an apartment). But I still could identify with this girl who liked to learn about the world, to ask questions (which were sometimes uncomfortable for her poor parents, just ask the guy at the pharmacy who sold "Nervocalm") and who had quite an imagination. I think that the only point of disagreement I could have with this girls is the soup. I actually like it. But again, she's a daughter of her context. By that time, soup was the cheapest food a family could afford, and her dislike of it is also how she shows her discontent with the situation of her country.

But, anyway, Mafalda has become somewhat universal. People who live in completely different places and times (such as myself) can read the comics and relate to her. She makes some good points most of the time, actually.

Another thing I've always loved about these comic strips is the characters. I absolutely adore them. From Mafalda, obviously, to Guille, her little brother obsessed with Bridgitte Bardott. Susanita, whose only dream in life is to fulfill the stereotypical suburban desires, to be a mother and have lots of little kids. Manolito, always scheming to get more money (but he didn't let that interfere with his friendships). Felipito, who had one of the most hyperactive imaginations I've ever seen. Miguelito, innocent and naive, wondering at every little detail of life. And Libertad, of course. I've always had a soft spot for this girls who loves to repeat what she hears from her family and doesn't even realize how ridiculous she sounds (admitedly, it's because Quino portrayed her ultra-leftist ideals as exagerated as he could). Of course, I'd have to say that Mafalda's parents are also great. I love how they react to their daughter comments (I feel a bit sorry for them, though) and how they sometimes even play along.

Mafalda's comics are, in my humble opinion, a must read for everyone, despite age, nationality and everything else that one may think separates us from her. She's a universal voice, who portrays injustices and overall human craziness in a way that is as actual today as it was in the '60s. Besides, this edition is simply perfect. It has everything related to her comics, extra material and data that completes the strips.