A review by babyleo
A Good Girl's Guide to Murder by Holly Jackson

emotional mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

A longer version of his review was published on Lost in a Good Book - https://wp.me/p3x8rS-2Vu
 
I have been eyeing off this book for years and I finally started reading it and I’m so glad. It is captivating and draws you in fairly quickly and never quite lets go. Who can resist the allure of a possible mistake in a closed case and a town so ready to condemn an apparent murder? The further you go the more doubt is cast. There are hints and clues that don’t connect, the misdirection and hidden secrets from people in town and a cast of characters to keep you guessing.

As with a lot of things in a small town, secrets are unearthed and things that have been kept hidden come to the surface, affecting more than just one person’s life. It never felt sensationalised, but the knock on effect is clear. Pip’s innocent investigation for a school project never leads her astray from her capabilities, but at the same time her own personality latches on and her consumption of the case and the need for answers brings danger.

Pip is a great character. Her passion and dedication grows from an interest for a school project to something of an obsession as she uncovers more and more secrets and unanswered questions. Her focus and her determination to get to the bottom of this crime is something I think you can achieve with her approach to her investigation, especially as so many people think there has already been a culprit named.

Each character felt real too, which is important when creating a community. No one felt one dimensional even the red herrings all had full lives and stories, making them as likely as the next to be suspects. The realness of characters is important too if readers are meant to believe they could hide things, deceive, or have more depth than it first appears. Jackson does this well as everyone Pip interviews, helps, or is hindered by bring their own lives to the page and it is definitely a strength of the book.

I know the book is filled with great formatting around transcripts, emails and Pip’s notes, but I loved the audio version of this so much. It was a mix between an audiobook and a radio drama. The phone conversations sound like phone conversations, the recordings Pip references sound like conversations on tape recordings being played back, and the different voices bring in another great element.

It isn’t entirely like a radio drama, there is regular narration as well which help break up Pip’s research and the outside story. It was a clever way to lay out how she was conducting her research and piecing it all together, plus those listening to the book don’t miss out on the creative storytelling Jackson has designed.

This is one you should read in order, not only because the second book spoils practically everything from book one fairly soon, but there is something wonderful about seeing Pip’s growth and her determination as she investigates. 

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