Williams wrote this book in a very distinctive style, one that ostensibly puts the reader inside the heads of serial killers Ian Brady and Myra Hindley. He uses working class dialects and a sort of shorthand to convey the daily activities of the two. Two problems with that: first, you’re not always sure what’s happening and, second, being inside their heads is not necessarily a place you want to be. I definitely didn’t. Gutsy attempt, though.