One part court room drama, one part historical context of a small community and a land agreement between immigrants and a white, I guess middle class, back when middle class meant something, family. The two of whom are linked in a myriad of ways, not the least of which is the two younger siblings being socialized in the same are, but still very much raised in two worlds. When a member of the community is killed, a member of the Japanese family is fingered. An incident that ignites a powder keg in the town brewing for some time, and sparks the introspection and dissection of the community and two families being examined.

While it does feel slightly dated, I think this unequivocally is attempting to show the effects of war on a community; specifically propaganda and fear mongering feeding into racist ideology out-group(s). In this case, vilifying the Japanese in the war and back home alike.

It can turn a phrase and is more comprehensive in its showing of subtle interactions and motivations. It’s as much a character study as the man accused of murder is having to prove his character to white people who measure him with white standards and attitudes. Decent pacing, great description and dialogue. No real complaints, though I don’t think it knocked my socks off; probably because of the more dated aspects in the characterization of the Japanese family, which border on orientalism in the quintessential reduction of the racial identity. However, as mentioned, it is always clear what the intent of the story is.