There were a handful of good stories in here, but fewer than usual by my standards. No absolute clunkers, per se, just... way too many that were just sort of meh.

Highlights were Beagle's own story, which made use of a particular favorite unicorn, the Persian karkadann (a far more unpleasant version than the familiar sort); Jane Yolen's story of two children's obsession with a white hart that makes an elegant final twist into magical realism; and the lesbian sorcery noir, "The Maltese Unicorn," which description I think speaks for itself just fine.