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thecaptainsquarters 's review for:
Beauty and the Clockwork Beast
by Nancy Campbell Allen
Ahoy there mateys! Aye, this be another romance so quickly after abandoning ship on the last one but this one was supposed to be different! Ye see it was described as "Jane Eyre meets Beauty and the Beast." These be two of me favorite stories. It is a steampunk fantasy romance. It has vampires and ghosts and werewolves. The main character is a female botanist. I adore retellings. Matey Zeezee gave it a wonderful review and all the other crew gave it high ratings as well. Yet again this Captain disagrees.
The main problem is that the premise and outlines of the story be great but execution faltered. Badly.
The Pros:
The Main Character: I actually mostly liked Lucy. I adored that she was a female botanist who was on a secret vampire research team. Hooray for science! She was intelligent, witty, and tenacious.
The Love Interest: I would call him more of a Mr. Darcy instead of a Mr. Rochester. He be rich and moody and secretive. A bit dismissive of everyone though he loves his brother and cares about his tenants.
The Setting: Who doesn't like a haunted, creepy manor house? This is where a bit of the Jane Eyre setting comes in.
The Steampunk: I enjoyed the idea of a steampunk Beauty and the Beast and was excited to see the elements it would involve. I enjoyed the clockwork servants.
The Ghost: She was me favorite character by far.
The Mystery: I wanted to know how the two women were murdered and why.
Audiobook: I thought the narrator, Saskia Maarleveld, did a decent job with the material she was given.
The Cons:
The Main Character: While Lucy was set up to be a strong an independent women of science, she never really used the science in any realistic way to figure out the mystery of the deaths or the ghost. She reacted with strong emotion & not her brain, kept depending on the love interest for strength, and seemed to turn into a nitwit at the first sign of trouble. She also had the Mary Sue problem of being the most accomplished, beautiful, blahblahblah. Also why did she feel she could fix everything and then get herself into stupid trouble. Where is the confident women described in the beginning?
The Love Interest: While I thought the banter with Lucy worked in the beginning, a lot about his "Beast nature" was rather dumb. He grows up with a scar that supposedly scares everyone (seriously?) and has a clockwork heart. He is not actually really clockwork. Later ye find out more of his supposed secret but it was lame and I guessed it. How that was presented to Lucy was SO stupid. Also he be possessive, rude, and alpha-male-like. He treats Lucy more like an object to be possessed and not a person. I actually started to dread his point-of-view chapters.
The Setting: I like dark houses and locked doors but there is no reason that the story should have taken place there. If something is killing the cousin and she is SO sick and scared then they could have gone to their OTHER house. Lame. There also be a secret garden, forbidden gazebo, and hunting lodge that play silly somewhat pointless parts. Too many locations for no real reason.
The Steampunk: Other than a clockwork heart, some cars, airships, and the clockwork servants, the story didn't actually have a steampunk feel. It just seemed like these elements were thrown in so the servants could be used to further the plot and it could be marketed as steampunk.
The Side Characters: If I thought the two main lovers were flat and two-dimensional, all the other characters were seemingly pointless. It's bad when the dead ghost who can't speak is the most interesting and only appears a handful of times.
The Mystery: So, so lame was the answer. Also if Lucy was supposed to be investigating vampires, why did she never seem to care about the ones attacking the village? She doesn't even follow up on any of that and also misses all the signs of the ghost mystery because she is too busy lusting.
The Plot: The plot was messy, convoluted, and made no sense. The vampire, werewolf, and ghost subplots are never adequately explained and could have been removed and not changed that much of the story. In fact nothing was really ever explained to me satisfaction. What is the history of the shape shifters? If machines are so advanced why bother with horse and carriage? The reasons for the cousin's sickness seemed to be obvious. How did nobody notice? The story kept spinning in circles and got very boring at times. Lots of plot lines were begun and subsequently abruptly dropped. However, I was out and about and couldn't download something else.
Communication: The absolute worst part is that the two lovebirds NEVER really work together or make plans to solve the case or really talk about their problems. Assumptions abound. Both people try to "protect" the other one and only manage to make every situation worse. Both of them believe they are the only smart person in the room. Most of the "plot problems" were due to avoidable misunderstandings and stupidity. So much so that Miles complains at one point that Lucy has been in more danger in one month then ever in her line of work. Blech.
I get the book's appeal but it didn't work for me at all in the end. To the sharks it goes. Arrrr!
Side note: Apparently lame is the word of the day.
The main problem is that the premise and outlines of the story be great but execution faltered. Badly.
The Pros:
The Main Character: I actually mostly liked Lucy. I adored that she was a female botanist who was on a secret vampire research team. Hooray for science! She was intelligent, witty, and tenacious.
The Love Interest: I would call him more of a Mr. Darcy instead of a Mr. Rochester. He be rich and moody and secretive. A bit dismissive of everyone though he loves his brother and cares about his tenants.
The Setting: Who doesn't like a haunted, creepy manor house? This is where a bit of the Jane Eyre setting comes in.
The Steampunk: I enjoyed the idea of a steampunk Beauty and the Beast and was excited to see the elements it would involve. I enjoyed the clockwork servants.
The Ghost: She was me favorite character by far.
The Mystery: I wanted to know how the two women were murdered and why.
Audiobook: I thought the narrator, Saskia Maarleveld, did a decent job with the material she was given.
The Cons:
The Main Character: While Lucy was set up to be a strong an independent women of science, she never really used the science in any realistic way to figure out the mystery of the deaths or the ghost. She reacted with strong emotion & not her brain, kept depending on the love interest for strength, and seemed to turn into a nitwit at the first sign of trouble. She also had the Mary Sue problem of being the most accomplished, beautiful, blahblahblah. Also why did she feel she could fix everything and then get herself into stupid trouble. Where is the confident women described in the beginning?
The Love Interest: While I thought the banter with Lucy worked in the beginning, a lot about his "Beast nature" was rather dumb. He grows up with a scar that supposedly scares everyone (seriously?) and has a clockwork heart. He is not actually really clockwork. Later ye find out more of his supposed secret but it was lame and I guessed it. How that was presented to Lucy was SO stupid. Also he be possessive, rude, and alpha-male-like. He treats Lucy more like an object to be possessed and not a person. I actually started to dread his point-of-view chapters.
The Setting: I like dark houses and locked doors but there is no reason that the story should have taken place there. If something is killing the cousin and she is SO sick and scared then they could have gone to their OTHER house. Lame. There also be a secret garden, forbidden gazebo, and hunting lodge that play silly somewhat pointless parts. Too many locations for no real reason.
The Steampunk: Other than a clockwork heart, some cars, airships, and the clockwork servants, the story didn't actually have a steampunk feel. It just seemed like these elements were thrown in so the servants could be used to further the plot and it could be marketed as steampunk.
The Side Characters: If I thought the two main lovers were flat and two-dimensional, all the other characters were seemingly pointless. It's bad when the dead ghost who can't speak is the most interesting and only appears a handful of times.
The Mystery: So, so lame was the answer. Also if Lucy was supposed to be investigating vampires, why did she never seem to care about the ones attacking the village? She doesn't even follow up on any of that and also misses all the signs of the ghost mystery because she is too busy lusting.
The Plot: The plot was messy, convoluted, and made no sense. The vampire, werewolf, and ghost subplots are never adequately explained and could have been removed and not changed that much of the story. In fact nothing was really ever explained to me satisfaction. What is the history of the shape shifters? If machines are so advanced why bother with horse and carriage? The reasons for the cousin's sickness seemed to be obvious. How did nobody notice? The story kept spinning in circles and got very boring at times. Lots of plot lines were begun and subsequently abruptly dropped. However, I was out and about and couldn't download something else.
Communication: The absolute worst part is that the two lovebirds NEVER really work together or make plans to solve the case or really talk about their problems. Assumptions abound. Both people try to "protect" the other one and only manage to make every situation worse. Both of them believe they are the only smart person in the room. Most of the "plot problems" were due to avoidable misunderstandings and stupidity. So much so that Miles complains at one point that Lucy has been in more danger in one month then ever in her line of work. Blech.
I get the book's appeal but it didn't work for me at all in the end. To the sharks it goes. Arrrr!
Side note: Apparently lame is the word of the day.