Uncorrected proof received via Netgalley - bear that in mind!

A small bugbear, first of all; this book would really be better called 'Queer Icons and Cats', because only about half of the cats in here actually belong to (or perhaps own, depending on your view of feline/human relationships) the aforementioned queer icons. That's not a criticism, just an observation!

This book is an interesting volume, with a photo of a famous queer person and a cat on one page and a brief description of the person (and sometimes the cat) on the other. It's really at its best when it's delving into the personalities of the cats involved; it's a sad fact that cats outshine humans in terms of beauty, interest, personality and talent in absolutely all cases, and although I'm a big fan of many of the people included in this book, the cats were definitely the best bit. Special mention to the trash-eating cat of a Michelin-starred chef. The audacity of that kitty is truly inspiring. All jokes aside, I genuinely enjoyed learning about the nuances of these people's personalities as conveyed through the lens of their interaction with our feline overlords; I think a lot can be said about a person by how they treat cats.

I also really appreciated the broad spectrum of people included here, from James Baldwin to Rachel Carson, Elton John to Bobbi Salvor Menuez - it was a great representation of how variegated the term 'queer icon' really is and should be. I think we often limit our perception of queer icons to people like Lady Gaga, Madonna and David Bowie, and don't really include the often doubly marginalised activists who actually do the work for queer liberation. This book did, and I think that's really to its credit.

The one thing that irked me somewhat was how so many of the bios in this book read a bit like resumés or advertisements. The biographies of historical figures, particularly James Baldwin, were nuanced, insightful and informative; I felt like they gave the reader both an overview of the individuals' contributions to queer culture and their personality in general. However, many of the bios of current queer people, particularly that of Frenchie Davis, were more like press releases than anything else, The writing in these ones came across like marketing copy, and it chafed a little; I don't need to be advertised to when I'm reading a book purportedly for edification or entertainment.

That said, it was an enjoyable little read, and I can absolutely see why they picked that photo of Jujubee for the cover. I kind of want it as a poster to decorate all my good rooms (the rooms my cat favours.)