Going into this book, I was unfamiliar with Tyll Ulenspiegel as a notable figure in German folklore, who fulfills the traditional trickster role, which may be why I had a bit of difficulty latching onto the character despite my love for this archetype. From the synopsis, I also had the impression that the book would be told from his point of view, whether first person or not, but surprisingly he serves as almost a background character at times, important enough to have a role in events but not really one to linger on. I understand that constantly fixating on him may have hurt his appeal somewhat, but when going into a book about a trickster's part in history, I kind of want to see them as much as possible.

I'm also very finicky when it comes to historical fiction. Novels about wars and politics tend to bore me, so there were many moments in this book that went sluggishly and, again, I yearned for more of the fool's presence. I will say, what did help me stay around was the book's definitive voice and tone. There's always a hint of danger and mystery to it with a touch of playfulness.