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yourbookishbff 's review for:
An Earl Like You
by Caroline Linden
emotional
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Complicated
I flew through this, largely because the anxiety of waiting for the big third-act reveal is so propelling that I couldn't set it aside. I genuinely enjoyed this bizarre twist on the gambling premises of the series. A new-money speculator buys out all of the Earl of Hastings' inherited debt, and then blackmails him into courting his only daughter, Eliza. Eliza, suspicious of men chasing her dowry and hoping for a love match, is surprised by the Earl's sudden interest in her, but is lured into their well-laid marriage trap, and ultimately falls in love. This, in some ways, felt reminiscent of Devil is a Marquess, by Elisa Braden, where a broke lord is bought out by an heiress's father (who inevitably underestimates his own daughter) and is haunted by his own lies of omission as they grow closer.
Most challenging in this set-up, though, is the deception, as the Earl is blackmailed with the threat of prosecution on his debt if he doesn't comply, and is unable to divulge the farce to Eliza, who he (obviously) comes to care for. It's our knowledge, as readers, that Eliza believes this is a love match and not a marriage of convenience that drives the plot tension. Waiting for Eliza to discover the layers of deceit had me in Sherry-Thomas-levels-of-pain, and I stayed up until 1:30am to finish this, desperately needing the happily ever after for these two. I thoroughly enjoyed all the ways in which the deception created greater complexity in all of their lives, and how both of our main characters had to work to unwind it.
I have noted in content warnings that the consent in a few interactions felt dubious to me - this didn't necessarily surprise me, given the conflicts we were navigating and the general deception, but I've noted it with additional detail for readers who may wish to avoid.
Most challenging in this set-up, though, is the deception, as the Earl is blackmailed with the threat of prosecution on his debt if he doesn't comply, and is unable to divulge the farce to Eliza, who he (obviously) comes to care for. It's our knowledge, as readers, that Eliza believes this is a love match and not a marriage of convenience that drives the plot tension. Waiting for Eliza to discover the layers of deceit had me in Sherry-Thomas-levels-of-pain, and I stayed up until 1:30am to finish this, desperately needing the happily ever after for these two. I thoroughly enjoyed all the ways in which the deception created greater complexity in all of their lives, and how both of our main characters had to work to unwind it.
I have noted in content warnings that the consent in a few interactions felt dubious to me - this didn't necessarily surprise me, given the conflicts we were navigating and the general deception, but I've noted it with additional detail for readers who may wish to avoid.
Graphic: Sexual content, Toxic relationship, Alcohol, Classism
Minor: Grief, Death of parent
Notes on consent: Woof. This felt like reading Private Arrangements by Sherry Thomas, where there is so much withheld information and bitterness complicating even verbal consent when it's given. Initial PIV scene includes verbal consent, but also such substantial withheld information that it felt like dubious consent to me. There is a later scene where the MMC initiates intimacy while the FMC is sleeping and she wakes to it. Once she wakes, she enthusiastically consents, but will note that she is clearly unable to at the start, as he is using intimacy to wake her. This won't bother all readers, but I know it's a line for some and worth noting. No discussion of pregnancy prevention, as intimacy occurs within the context of marriage and/or imminent marriage, typical for the time period.