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I think this book—well, series—is running up against my inherent dislike of the Bildungsroman as a genre. I’m really enjoying the existence of this kind of coming of age story being expanded beyond Huck Finn and Pip and I like it better when I don’t want to sock the main character in the jaw for 400 pages, but I feel like the Bildungsroman doesn’t have enough space for the world beyond the character. It’s not that stories about characters, especially those who don’t change the world, are boring...it’s that I have a hard time not wanting to know more about Binti in relation to her worlds.
I’m still looking forward to the third novella, mostly because I want to know more about the world. And because I need to know if Binti will be okay and emotionally healthy.
This is the real problem with the Bildungsroman as a genre: I can’t stop reading it because I’m too invested in the characters, but the experience of reading it is not as fun as other books.
I’m still looking forward to the third novella, mostly because I want to know more about the world. And because I need to know if Binti will be okay and emotionally healthy.
This is the real problem with the Bildungsroman as a genre: I can’t stop reading it because I’m too invested in the characters, but the experience of reading it is not as fun as other books.