Tied between whether to give this a 3.75 stars, or an exact 4.0! Settling on a very positive 3.75 rounded up, for now. 

This was good, actually!! I liked how the author decided to actually write in details about Dawn’s filmmaking, and include some interviews from her footage. It made it feel immersive. I also enjoyed the core three’s dynamic, they felt like teenagers I could actually see in public and overhear in the hallways of some high school. Easily their interactions, unconditional support for each other, and shared bond over being female and queer was the highlight of this novel. Female friendships were handled really well???? I liked every POV, not once dreading a return to a particular one, which is rare for me.

While I get people who went into this with little knowledge being surprised at Dawn’s transness(even though she has that cute necklace with the trans flag colors in the cover art!), her relationship struggles—particularly her ones involving romance and her yearning for it—felt very specific to a transfemme experience of dating men, even before the confirmation of her identity. I really felt for her.

A couple gripes I have, though. Firstly, I kind of wish this was given another once-over by the editors, because there were a few issues in formatting. There was the occasional punctuation issue(mostly with run-on sentences, though), but the one part of that influencing my opinion of the story comes from two POV switches…first at Georgia’s house in the part where Edie visited, it switched from Edie to Georgia’s thoughts without a break in-between, and it threw me off. Secondly, the part at the beach was a little unclear in whose third-person POV it was being told in, because we ricocheted from girl to girl…it took me a few paragraphs to see it settled on Georgia’s POV for that part. (But other than those two parts, there wasn’t any confusion in the switches. I’ve read “Light From Uncommon Stars” and spoke of it highly, so I’m used to third-person POVs. Especially if they switch mid-chapter.)

Last gripe I have is that the writing feels a little too on-the-nose(juvenile) at times. While some issues and plot elements are handled with elements of complexity, character emotions are distinctly not. There’s a lot of Tell Not Show, which grated on me after a while even if the metaphors for those emotions were good.

But overall, this was a good time!! “The Queer Girl Is Going To Be Okay” maintained a balance between emotionally charged topics, and queer joy. I initially thought this would end up working more in a short story format than the 250 page book we got, but I thought the bit of time dedicated to after the film submission deadline was just as narratively important as the time before.