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rubeusbeaky 's review for:
Finale
by Stephanie Garber
There were some nice echoes to the first book to bookend the sisters' journeys. But too much of the book was fluff and filler: umpteenth descriptions of how "hot" Legend is, disheveled Jacks is, Tella wears blue, Scar wears red - we get it. We get it. This is the final book in a trilogy, with an entire glossary of villains, magical items, and enchanted places, all of which are undervalued or outright /not included/ in this book, to make room for... Donatella dream-walking with hot guys. I found myself walking away from this book every 3-5 pages, because Donatella is insufferable. Scarlett's chapters were a wonderful story about a cautious, abused girl who nevertheless finds strength and power from learning to forgive and unfailing to love. Mwah, irresistible! I wish Donatella and Scarlett were different series in the same universe, because their love for each other is moving, but their stories smashed into a single book don't fit.
Also, strangely, the author seems to be aware that YA Fantasy - like, let's say, vampire romance - contains lots of messages about toxic masculinity and abuse (ex. An immortal boy is distant, cruel, condescending, self-harming, pick your flavor, but he is redeemed if A) he's hot and B) the irresistible mortal girl can change his behavior.) The /author/ is aware, and the /protagonists/ are aware, they waffle throughout the entire series between deluding themselves that they can change their love interest's behavior, or refusing their advances for their own well-being... But in the end, the girls fall helplessly for their bad boys anyway? Feels odd, that the author and heroes are all smart, and make healthy choices, but then backtrack.
Also, strangely, the author seems to be aware that YA Fantasy - like, let's say, vampire romance - contains lots of messages about toxic masculinity and abuse (ex. An immortal boy is distant, cruel, condescending, self-harming, pick your flavor, but he is redeemed if A) he's hot and B) the irresistible mortal girl can change his behavior.) The /author/ is aware, and the /protagonists/ are aware, they waffle throughout the entire series between deluding themselves that they can change their love interest's behavior, or refusing their advances for their own well-being... But in the end, the girls fall helplessly for their bad boys anyway? Feels odd, that the author and heroes are all smart, and make healthy choices, but then backtrack.