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Salt Houses by Hala Alyan
4.75
emotional reflective sad slow-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

I loved ๐Ÿ’•this book more than I know how to explain. 

๐—ฆ๐—ฎ๐—น๐˜ ๐—›๐—ผ๐˜‚๐˜€๐—ฒ๐˜€ by ๐—›๐—ฎ๐—น๐—ฎ ๐—”๐—น๐˜†๐—ฎ๐—ป is a multi generational family saga spanning half a century (1963-2014). Itโ€™s a story about ๐—ฃ๐—ฎ๐—น๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฎ๐—ป ๐—ฑ๐—ถ๐˜€๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ๐—บ๐—ฒ๐—ป๐˜, war, family, and home. In the book we follow the Yacoub family as they relocate (often out of necessity) from Jaffa to Nablus, to Kuwait City, to Amman, to Paris, to Beruit, and to Boston. The narration alternates between 8 different members of the Yacoub family during different stages of their life. That sounds like it would be confusing, ๐˜ฃ๐˜ถ๐˜ต ๐˜ ๐˜ข๐˜ค๐˜ต๐˜ถ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ง๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ฎ๐˜บ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ธ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ฆ๐˜ณ๐˜ด. 

While the Yacoubs are often forced to relocate due to war, war is not the main focus of the book. Instead the book focuses on the displacement from home and how that displacement affects the different generations. 

This is one particularly poignant passage that highlights this theme:

โ€œ๐˜๐˜ช๐˜ด ๐˜ด๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฐ๐˜ญ๐˜ฅ ๐˜ฉ๐˜ช๐˜ฎ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ข ๐˜ค๐˜ฆ๐˜ฎ๐˜ฆ๐˜ต๐˜ฆ๐˜ณ๐˜บ ๐˜ฑ๐˜ญ๐˜ฐ๐˜ต ๐˜ช๐˜ฏ ๐˜ข ๐˜‰๐˜ฐ๐˜ด๐˜ต๐˜ฐ๐˜ฏ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ 7, 8 ๐˜จ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜ง๐˜ข๐˜ฎ๐˜ช๐˜ญ๐˜บ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฃ๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฅ. ๐˜’๐˜ข๐˜ณ๐˜ข๐˜ฏ๐˜ฎ๐˜ข๐˜ณ๐˜ท๐˜ฆ๐˜ญ๐˜ฆ๐˜ฅ ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ด, ๐˜ต๐˜ช๐˜ญ๐˜ญ ๐˜ค๐˜ฆ๐˜ฏ๐˜ต๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ข ๐˜ง๐˜ข๐˜ฎ๐˜ช๐˜ญ๐˜บ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฃ๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ฎ๐˜ฆ ๐˜ฅ๐˜ช๐˜ณ๐˜ต. ๐˜๐˜ฆ๐˜ณ๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ข๐˜ด ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ ๐˜š๐˜ข๐˜ญ๐˜ฎ๐˜ข ๐˜ข๐˜ฏ๐˜ฅ๐˜ž๐˜ช๐˜ฅ๐˜ข๐˜ฅ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ถ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜•๐˜ข๐˜ฃ๐˜ญ๐˜ถ๐˜ด. ๐˜•๐˜ฐ ๐˜ฐ๐˜ฏ๐˜ฆ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ด ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜”๐˜ช๐˜ด๐˜ต๐˜ข๐˜ง๐˜ข ๐˜ธ๐˜ข๐˜ด ๐˜ฃ๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฅ. ๐˜ˆ๐˜ต๐˜ฆ๐˜ง, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ช๐˜ด ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด, ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฃ๐˜ฆ ๐˜ฃ๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ข๐˜ด ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ. ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฉ๐˜ช๐˜ด ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ฅ๐˜ณ๐˜ฆ๐˜ฏ, ๐˜ฉ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ๐˜ด, ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ฃ๐˜ฆ ๐˜ฃ๐˜ถ๐˜ณ๐˜ช๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ˆ๐˜ฎ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข? ๐˜‰๐˜ฆ๐˜ณ๐˜ถ๐˜ช๐˜ต? ๐˜ž๐˜ฉ๐˜ข๐˜ต๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ณ๐˜ข๐˜ฏ๐˜ฅ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ฅ๐˜ณ๐˜ฆ๐˜ฏ?โ€

This theme is repeated again and again throughout the novel, as the older generations remark on how little Arabic the younger generations understand. As the younger generations note that while they are Palestinian theyโ€™ve never ๐—ฎ๐—ฐ๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐—ฏ๐—ฒ๐—ฒ๐—ป to Palestine. That there accents are more Lebanese than Palestinian. That they donโ€™t know where their grand parents were born. They refer to themselves as ๐—บ๐˜‚๐˜๐˜๐˜€. 

Thereโ€™s so much more I could say about this book. So many passages that just stuck with me. ๐˜Œ๐˜ท๐˜ฆ๐˜ฏ๐˜ฏ๐˜ฐ๐˜ธ, ๐˜ ๐˜ง๐˜ช๐˜ฏ๐˜ฅ ๐˜ฎ๐˜บ๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ฎ๐˜ช๐˜ด๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฉ๐˜ข๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ, ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ซ๐˜ถ๐˜ด๐˜ต ๐˜ณ๐˜ฆ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ต๐˜ฐ๐˜ด๐˜ค๐˜ณ๐˜ข๐˜ต๐˜ค๐˜ฉ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ช๐˜ต๐˜ค๐˜ฉ. 

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