I have owned The Sandman in almost every iteration, from the original monthly comic books to softbound 'graphic novel' collected works. With Absolute Sandman, I will never need another copy as they are simply beautiful. Each large leather bound tome is encased in a matching sleeve with artwork by the legendary Dave McKean. His distinctive stylings are further reproduced on each cover, with attractive stamped detail and silver lettering. Whether you are an old fan or a newcomer, I can't recommend this set of books highly enough. They are still as fresh and immersive today as the first time I found them, and stand up well as the pinnacle of the author's storytelling powers. I'll forever be appreciative of Neil Gaiman's other work but for me The Sandman is a true legacy.

Volume Three begins with a foreword from the artist who illustrated "Brief Lives", Jill Thompson. Brief Lives is a standout story for me because we get to follow Delirium of the Endless in her search for her brother, Destruction, and learn more about this elusive character. It is in this set of stories that the true nature of the Sandman finally begins to reveal itself, and seeds are sown for the tragedies to come. There are also many one-shot stories at the end of this volume that are highly enjoyable, such as Cluracan's Tale and World's End. For myself, the jewel in this particular book comes in the form of a story called Ramadan, which was written by Neil Gaiman for the landmark issue number 50. Illustrated by P. Craig Russell, Ramadan tells the tale of Haroun Al Raschid, King of Baghdad, whose only wish is to preserve the beauty of his city. Of all the Sandman stories, I find Ramadan to be one of the most affecting, a powerful piece of visual art.