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booksthatburn 's review for:
Seven Ways We Lie
by Riley Redgate
dark
emotional
hopeful
mysterious
reflective
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
SEVEN WAYS WE LIE follows seven high-schoolers as the possibility of a teacher-student romance consumes the school's rumor mill, told in rotating perspectives as they decide what to hide and what to tell when things get complicated.
All seven main characters are messy and flawed in different ways, and it wasn’t until I finish the entire book and then looked at the cover that I realized that each of them embodies one of the seven deadly sins, but it works really well even without that knowledge. I love tracing tracing the thread up an event across the different characters' perspectives, piecing together who knew what and when. It has the vibe of a mystery story, partly because for a long time there is a mystery that people are trying to figure out, but it's driven by all the ways that these seven kids are interacting and how their various problems, traumas, and insecurities collide. I love this book in spite of a few flaws, which feels kind of like the best way to love this particular story.
The rotating perspectives meant that whenever I was frustrated with how one character handled something the story usually was handed off pretty quickly to a different narrator who was also frustrated with how the character had handled it. They all feel like teens, and I am in awe of how this book has seven perspectives who all feel very distinct and were pretty easy to keep track of it in my head. Their writing styles and word choice are different, and what they did or did not know at each point is usually clear.
I love the way it handles each of the characters' problems, untangling the difference between what they think is wrong and what's actually going on. Each of the narrators is unreliable individually, but the combination of their biases and assumptions (plus the ways they do or don't find out they were incorrect about someone else) builds together into what feels like a complete picture of what happened (or at least as close as it's possible to get). It gives each character the space to just be really wrong about something (and right about something else) without that tension pulling the book apart. My favorite characters are Lucas, Kat, and Valentine, but my favorite in terms of personal growth and regaining agency is Olivia. Every one of them matters to the story, and even the one I really don't like as a person is integral in ways that make the whole book better.
All seven main characters are messy and flawed in different ways, and it wasn’t until I finish the entire book and then looked at the cover that I realized that each of them embodies one of the seven deadly sins, but it works really well even without that knowledge. I love tracing tracing the thread up an event across the different characters' perspectives, piecing together who knew what and when. It has the vibe of a mystery story, partly because for a long time there is a mystery that people are trying to figure out, but it's driven by all the ways that these seven kids are interacting and how their various problems, traumas, and insecurities collide. I love this book in spite of a few flaws, which feels kind of like the best way to love this particular story.
The rotating perspectives meant that whenever I was frustrated with how one character handled something the story usually was handed off pretty quickly to a different narrator who was also frustrated with how the character had handled it. They all feel like teens, and I am in awe of how this book has seven perspectives who all feel very distinct and were pretty easy to keep track of it in my head. Their writing styles and word choice are different, and what they did or did not know at each point is usually clear.
I love the way it handles each of the characters' problems, untangling the difference between what they think is wrong and what's actually going on. Each of the narrators is unreliable individually, but the combination of their biases and assumptions (plus the ways they do or don't find out they were incorrect about someone else) builds together into what feels like a complete picture of what happened (or at least as close as it's possible to get). It gives each character the space to just be really wrong about something (and right about something else) without that tension pulling the book apart. My favorite characters are Lucas, Kat, and Valentine, but my favorite in terms of personal growth and regaining agency is Olivia. Every one of them matters to the story, and even the one I really don't like as a person is integral in ways that make the whole book better.
Graphic: Homophobia, Misogyny, Sexism
Moderate: Ableism, Adult/minor relationship, Alcoholism, Cursing, Drug use, Violence, Vomit
Minor: Racial slurs, Self harm, Sexual content, Excrement
This book contains multiple instances of the term “slut-shaming” in the context of a teenage girl being shamed for her sexual autonomy and then gradually working to reclaim her sense of agency.
TW for Harry Potter reference (pages 216, 222), Rowling reference (page 336).