Take a photo of a barcode or cover
kaitlynisliterate 's review for:
River Mumma
by Zalika Reid-Benta
This book had a lot of promise but ultimately fell short of the mark.
I enjoyed the magical realism and how Jamaican folklore/legend was incorporated into the story. The protagonist, Alicia, struck a chord with me as I empathized with her struggles to adapt after graduating from university.
Regrettably, the promise of the book wasn't fully realized in its plot. Rather than embarking on an enthralling journey, the plot resembled a lackluster side quest from a video game, the kind that involves mundane tasks to fill time.
The comb is, for all intents and purposes, a MacGuffin. The only reason it’s important is because its owner is a deity, the River Mumma, who has threatened a massive drought if it is not returned by an arbitrary (by their own admission) deadline. This isn’t necessarily bad but it leads to a lack of investment, on the part of the reader, in the goal of the quest. So without a particularly compelling goal, all that’s left is the journey which, unfortunately, isn’t particularly interesting either. Most of the quest to find the comb consists of Alicia, Mars, and Heaven traveling from point A to B.
The main character, Alicia, is never challenged in any way since each obstacle is solved by either looking information up online or running away. Alicia never has to use any particular skills or even be clever to solve a problem or move the quest forward. This in turn led Alicia to lack a certain sense of agency since she’s always just responding to things that happen to her.
Curiously absent is a substantial antagonist since the person who stole the comb doesn’t particularly care about keeping it, while the pursuing duppies merely offer mindless opposition. The duppies sort of just appear whenever the story needed some action but it never feels like they present any significant threat. Every duppy has the same two weakness which is that they must stop to count whatever is thrown in their path and they dislike salt.
The pacing of this story also felt off. One of the reasons for this was how often the story stopped in its tracks to make some little inside joke or reference for fellow Torontonians. While I personally understood the references, I don’t think someone not from Toronto would. I’m surprised they didn’t make a joke about Tim’s iced coffee tasting different every time. Though I lived in Toronto for many years, even I found these asides distracting. It’s not any less annoying than when New Yorkers do it!
The other issue with the pacing was how elements of the story connected, or rather failed to connect, with each other. For example, Alicia experiences visions of the memories of her ancestors. These visions take up a lot of pages and serve to explain Alicia’s ancestors’ connection to River Mumma. However, the visions don’t explain why Alicia, specifically, was chosen for this specific quest since her ancestors have no connection to the comb. The visions provide no information to help Alicia and her friends find the comb. The entire story also takes place within an extremely short time frame (around 24 hours). These two facts combined with how the story starts off pretty slow and takes a while to ramp up, the actual quest to retrieve the comb was given relatively few pages and thus the resolution seemed fairly rushed. In fact, for the first 2/3 of the book, they make no progress on finding who stole the comb (the first step in retrieving the comb), but this is solved for the characters by deus ex machina. So the whole quest takes up only 1/3 of the book.
This book also features a certain Toronto-based celebrity rapper who remains unnamed but it’s extremely obvious who it is. I admit that I found this pretty funny when it was first revealed but the joke quickly got old. It ended up being pretty gimmicky and the whole encounter felt really forced (we’re supposed to believe that this huge celebrity is checking their DM requests 24/7).
Finally, at least half of the dialogue is in Jamaican patois (and/or Toronto slang) and if you, like me, are not fluent, it might take you a second to understand what the characters are saying. This linguistic barrier disrupts the reading flow and comprehension.
In sum, magical realism and the representation of Jamaican culture and folklore shine, yet the weak plot and pacing pitfalls tarnish the overall experience.
Thank you to NetGalley and Kensington Books for providing me with a digital copy of this book in exchange for my honest review.
I enjoyed the magical realism and how Jamaican folklore/legend was incorporated into the story. The protagonist, Alicia, struck a chord with me as I empathized with her struggles to adapt after graduating from university.
Regrettably, the promise of the book wasn't fully realized in its plot. Rather than embarking on an enthralling journey, the plot resembled a lackluster side quest from a video game, the kind that involves mundane tasks to fill time.
The comb is, for all intents and purposes, a MacGuffin. The only reason it’s important is because its owner is a deity, the River Mumma, who has threatened a massive drought if it is not returned by an arbitrary (by their own admission) deadline. This isn’t necessarily bad but it leads to a lack of investment, on the part of the reader, in the goal of the quest. So without a particularly compelling goal, all that’s left is the journey which, unfortunately, isn’t particularly interesting either. Most of the quest to find the comb consists of Alicia, Mars, and Heaven traveling from point A to B.
The main character, Alicia, is never challenged in any way since each obstacle is solved by either looking information up online or running away. Alicia never has to use any particular skills or even be clever to solve a problem or move the quest forward. This in turn led Alicia to lack a certain sense of agency since she’s always just responding to things that happen to her.
Curiously absent is a substantial antagonist since the person who stole the comb doesn’t particularly care about keeping it, while the pursuing duppies merely offer mindless opposition. The duppies sort of just appear whenever the story needed some action but it never feels like they present any significant threat. Every duppy has the same two weakness which is that they must stop to count whatever is thrown in their path and they dislike salt.
The pacing of this story also felt off. One of the reasons for this was how often the story stopped in its tracks to make some little inside joke or reference for fellow Torontonians. While I personally understood the references, I don’t think someone not from Toronto would. I’m surprised they didn’t make a joke about Tim’s iced coffee tasting different every time. Though I lived in Toronto for many years, even I found these asides distracting. It’s not any less annoying than when New Yorkers do it!
The other issue with the pacing was how elements of the story connected, or rather failed to connect, with each other. For example, Alicia experiences visions of the memories of her ancestors. These visions take up a lot of pages and serve to explain Alicia’s ancestors’ connection to River Mumma. However, the visions don’t explain why Alicia, specifically, was chosen for this specific quest since her ancestors have no connection to the comb. The visions provide no information to help Alicia and her friends find the comb. The entire story also takes place within an extremely short time frame (around 24 hours). These two facts combined with how the story starts off pretty slow and takes a while to ramp up, the actual quest to retrieve the comb was given relatively few pages and thus the resolution seemed fairly rushed. In fact, for the first 2/3 of the book, they make no progress on finding who stole the comb (the first step in retrieving the comb), but this is solved for the characters by deus ex machina. So the whole quest takes up only 1/3 of the book.
This book also features a certain Toronto-based celebrity rapper who remains unnamed but it’s extremely obvious who it is. I admit that I found this pretty funny when it was first revealed but the joke quickly got old. It ended up being pretty gimmicky and the whole encounter felt really forced (we’re supposed to believe that this huge celebrity is checking their DM requests 24/7).
Finally, at least half of the dialogue is in Jamaican patois (and/or Toronto slang) and if you, like me, are not fluent, it might take you a second to understand what the characters are saying. This linguistic barrier disrupts the reading flow and comprehension.
In sum, magical realism and the representation of Jamaican culture and folklore shine, yet the weak plot and pacing pitfalls tarnish the overall experience.
Thank you to NetGalley and Kensington Books for providing me with a digital copy of this book in exchange for my honest review.