The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Douglas A. Jones

Theater: Theory/Text/Performance

The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North

Douglas A. Jones

218 pages paperback 2014

2 editions

nonfiction art history race challenging informative reflective medium-paced
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In The Captive Stage, Douglas A. Jones, Jr. argues that proslavery ideology remained the dominant mode of racial thought in the antebellum north, even though chattel slavery had virtually disappeared from the region by the turn of the nineteenth c...

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