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challenging
dark
mysterious
reflective
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
adventurous
challenging
dark
emotional
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
challenging
mysterious
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
House of Leaves is an oddity. Pieces of it are captivating, the rest is a feeble attempt to capitalize on our fear of the unknown.
The best part of the book is its narrative structure. An old blind man, Zampanó, has written a book discussing a film that doesn't exist. The referenced film is a documentary of a photojournalist's time in an unearthly house. Truant, a drug-addicted tattoo shop assistant, finds the pieces of the book in Zampanó's apartment after the old man dies. The book is spread across typed pages, scraps of paper, and layered on napkins with some bits burned, blacked-out, or stained. The book is called The Navidson Report , named after the photojournalist, Navidson, and his documentary. House of Leaves is The Navidson Report as pieced together by Truant with added footnotes and appendices. The footnotes detail Truant's experiences while putting the book together and questioning people that met with Zampanó or are explicitly mentioned in the text as being involved with Navidson. It's a complex relationship and an excellent game of telephone.
The physical layout of the book is exceptional. Danielewski plays with font, color, and text placement to enhance the story being told. The word "house" always appears in blue, there are large sections of red strike through text where we can see references to a creature which have been struck from the text. Navidson's footnotes appear in Courier to make it visually distinct from the old man's citations and notes, making it easy to pick out the alternative narrative footnotes. During certain sections the text jumps across pages, twists on itself, or has footnotes disrupting the flow of the page. I found this to be an excellent tool in mirroring the emotions the characters are facing.
The actual content of the book is more disappointing that the excellent structural devices would lead you to expect. Initially the book sets us up to be deeply unsettled, explaining how Truant has started to question his own reality in reaction to the old man's writing and we may be in for the same. Unfortunately, the book doesn't quite hit the high mark it sets for itself. In the old man's writing we learn of the Navidson house and the expeditions to its dark interior. These are interesting, but in no way unsettling. The house in the documentary shifts and moves, but we are given no reason to question our own reality as hinted in the opening pages.
It's an ambitious project which falls flat in the end. Worth reading to see what can be done with the printed word, but the actual content is nothing exceptional.
The best part of the book is its narrative structure. An old blind man, Zampanó, has written a book discussing a film that doesn't exist. The referenced film is a documentary of a photojournalist's time in an unearthly house. Truant, a drug-addicted tattoo shop assistant, finds the pieces of the book in Zampanó's apartment after the old man dies. The book is spread across typed pages, scraps of paper, and layered on napkins with some bits burned, blacked-out, or stained. The book is called The Navidson Report , named after the photojournalist, Navidson, and his documentary. House of Leaves is The Navidson Report as pieced together by Truant with added footnotes and appendices. The footnotes detail Truant's experiences while putting the book together and questioning people that met with Zampanó or are explicitly mentioned in the text as being involved with Navidson. It's a complex relationship and an excellent game of telephone.
The physical layout of the book is exceptional. Danielewski plays with font, color, and text placement to enhance the story being told. The word "house" always appears in blue, there are large sections of red strike through text where we can see references to a creature which have been struck from the text. Navidson's footnotes appear in Courier to make it visually distinct from the old man's citations and notes, making it easy to pick out the alternative narrative footnotes. During certain sections the text jumps across pages, twists on itself, or has footnotes disrupting the flow of the page. I found this to be an excellent tool in mirroring the emotions the characters are facing.
The actual content of the book is more disappointing that the excellent structural devices would lead you to expect. Initially the book sets us up to be deeply unsettled, explaining how Truant has started to question his own reality in reaction to the old man's writing and we may be in for the same. Unfortunately, the book doesn't quite hit the high mark it sets for itself. In the old man's writing we learn of the Navidson house and the expeditions to its dark interior. These are interesting, but in no way unsettling. The house in the documentary shifts and moves, but we are given no reason to question our own reality as hinted in the opening pages.
It's an ambitious project which falls flat in the end. Worth reading to see what can be done with the printed word, but the actual content is nothing exceptional.
This is the most tedious, pretentious slog I have ever had the misfortune of trying to read. What a terrible day to have eyes.
challenging
dark
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
No
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Yes
adventurous
challenging
dark
mysterious
tense
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Complicated
Loveable characters:
Complicated
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
mysterious
slow-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
No
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Complicated
Obligée de reconnaître que ce livre est un chef d’œuvre : une telle complexité d’histoire, de narration et de mise en page est incroyable et merveilleuse. L’auteur a passé 12 ans à écrire ce livre et on comprend pourquoi. Je ne regrette pas cette lecture mais la dédicace du livre a visé juste, ce livre n’était pas pour moi. Je ne suis tout simplement pas assez investie pour comprendre tous les méandres de cette terrible fiction, et j’ai rapidement abandonné l’idée de faire une analyse poussée par moi-même. Je salue l’immense travail de l’auteur et de tous ceux qui déchiffrent encore aujourd’hui cette œuvre, mais personnellement la lecture de ce livre était laborieuse pour moi, d’où ma note.
i’ve never said “what the hell” as much as i did while reading this